Wednesday, October 30, 2019
Db1 managing high performance Research Paper Example | Topics and Well Written Essays - 250 words
Db1 managing high performance - Research Paper Example I prefer the free reign type of leadership to the autocratic. Free reign leadership style is motivational to employees, and it gives them room to exchange ideas within themselves and even work towards the same goal. Autocratic does not give the employees room to participate in the decision-making process, exercising of individual leadership styles hence influencing negatively on worker talents and skills (Gino, 2013). While working with Digg Company, I observed the management styles employed by the company director, Mr. Willy to be laissez-Faire. Mr. Willy delegated duties, responsibilities coupled with adequate authority to his junior staff, gave them room to take part in the decision-making process, and without strict supervision. It helped the company meet its set goals within the period; employees felt encouraged and motivated. On the contrary, Mrs. Helena, the sales representative of Frontier Marketers Company, where I started my career, designed an autocratic style that did not achieve success (Benincasa, 2012). She harshly directed her employees, fired and hired without warning. It led to employees feeling inferior, could not contribute much to organizationââ¬â¢s development, and soon losses struck the company. Benincasa, R. (2012, JUNE). 6 Leadership Styles, And When You Should Use Them. Retrieved OCT 8, 2014, from FC leadership: http://www.fastcompany.com/1838481/6-leadership-styles-and-when-you-should-use-them Nayab, N. (2011, SEPT 28). Examples of Companies with Autocratic Leadership. Retrieved OCT 8, 2014, from Bride Hub Project Managment:
Monday, October 28, 2019
Martin King and Henry Thoreau Essay Example for Free
Martin King and Henry Thoreau Essay Martin King and Henry Thoreau both write persuasive expositions that oppose majority ideals and justify their own causes. While this similarity is clear, the two essays, Letters from Birmingham Jail by King and Civil Disobedience by Thoreau, do have their fair share of differences. Primarily in the causes themselves, as King persuades white, southern clergy men that segregation is an evil, unjust law that should be defeated through the agitation of direct protesting, and Thoreau, writing to a more broad, non addressed audience, and focusing more on the government itself, contends that at its present state, with the war with Mexico and the institution of slavery, that one should do as he does and refuse to pay government taxes that support such evil practices or traditions. While both Thoreau and King prevail in establishing a firm impression for what they strongly believe in, they each succeed in their persuasive efforts through different means. Chiefly, in the way that King draws emotional appeal with the usage of a burning passion and devotion, and Thoreau, while still making it evident that he is devoted in what he believes in, draws more emotional appeal through being more distressed and concerned than naively hopeful and optimistic. However, similarities remain to be as numerous as differences as both Thoreau and King bring credibility or ethical appeal to their assays essentially with allusions to Christ and the Bible. First, Kings emotional appeal is what above all contrasts his essay with Thoreaus. As virtually everything else; the theme of disobeying unjust laws, their admiration for the minoritys viewpoint, and even, coincidently, where they wrote their essays prison, is all the same. King makes two references to conversations shared with his children. Once with his little girl who wants to go to the public amusement park and is quickly developing tears in her eyes as her father has to sadly explain the reality that black children arent allowed in Funtown. Promptly once again, King refers to being forced to somehow concoct an acceptable answer to his five year old sons question why do white people treat colored people so mean?. King does not stop there with his ability to throw his readers into the harsh emotional realities that he had to face. While answering the same question of why we cant wait in regards to protesting, King refers to the tragic sadness of how his wife and mother are almostà never granted with the respectable title of Mrs and how his own name has virtually been transformed from Martin Luther King to Nigger Boy John in the heartland of discrimination in the South. The rhetorical use of detail is Kings second element that he takes advantage of to draw such tremendous, but necessary emotional appeal. With his despairing response to the clergy mens appraisal of the policemens ability to maintain peace and order when he asserts with great detail that maybe they wouldnt be so warmly supportive if they would have been in the streets to witness the police slapping Negro men and boys with sticks and pushing and cursing old Negro women and girls in such a cold-hearted and cruel fashion. Furthermore, Kings account of what the South would be like if blacks sided more with the Black Nationalists than himself brings emotion to all that contemplate his perception of streets flowing with blood during the central time of the otherwise inevitable racial nightmare. Thoreau, on the other hand, never consents to revealing such frightful nightmares and makes only one brief reference to his children. Instead, Thoreau draws emotional appeal through many different techniques in the art of persuasive writing. Most predominantly, with despaired and concerning rhetorical questions such as when he asks about established governments viewpoint on great men, why does it always crucify Christ and excommunicate Copernicus and Luther, and pronounce Washington and Franklin rebels?. And again when he provokes the question of how men assert their grievances when he asks How can a man be satisfied to entertain and opinion merely and enjoy it?. As stated above, Thoreau and Kings great persuasive similarity is in the way they give their essays ethical appeal. They both repetitiously make use to references of the Bible. King first asserts that he is in Birmingham for the same reason that the Apostle Paul left his village of Tarsus and carried the Gospel of Jesus. Once again, in comparing his civil disobedience to that of Shadrack, Meshack, and Abednego when they refused to obey the worship laws of Nebucadnesser. Finally King affirms to not being offended by the criticism of being called an extremist by the thought of how many great extremists there where in the past, such as Abe Lincoln, Martinà Luther, and Jesus Christ. Thoreau in the very same manner and with many of the same figures, continues with his own set of biblical allusions. He subscribes to the verse of Christ and the Herodians when they ask him about his stance on taxes and Christ replies to give Caesar what is Caesars, and to give God what is Gods. And then, more broadly, Thoreau poses the question of why after eighteen hundred years of being written, no legislator in America or anywhere else has taken advantage of the science of legislation revealed in the New Testament. In conclusion, both Thoreau and King succeed in establishing their points on the benefits of civil disobedience. I feel that King does succeed farther with his inclusion of more passionate emotion and easier to understand, heartfelt metaphors. Though it is debatable that the scientific and matter of fact tone Thoreau uses ultimately make his case more credible by establishing his work as not only a great personal exposition, but also a considerable scientific exposition that could be considered among the ranks of Thomas Paines Common Sense or even Machiavellis The Prince.
Saturday, October 26, 2019
Kate Chopins The Story of an Hour Essay -- Kate Chopin Story Hour Ess
Kate Chopin's "The Story of an Hour" In ââ¬Å"The Story of an Hourâ⬠by Kate Chopin, the author depicts how someone can be trapped in an unproductive and unsatisfying reality because of otherââ¬â¢s thoughtlessness, exploitation, and domination. When combined with the contemporary societyââ¬â¢s belief, presumably the later half of the 19th century, a further understanding of Chopinââ¬â¢s thoughts and feelings can be realized. Mrs. Louise Mallard, the victim and messenger of this story, is the image of such a person. Her relationship with her husband is so oppressive and limiting that even death is considered a reasonable means of escape. The condition of life for Mrs. Mallard is terrible, yet for some reason she doesnââ¬â¢t seem to come to the full realization until her husband death. This leads one to believe that was a common place for women to be unhappy in their marriage and have no conventional means of escape (divorce). However, Chopin doesnââ¬â¢t directly make that point. Many women are in se arch of freedom from their marriage and they believe the only way to be free is to experience the death of their husband. Mrs. Louise Mallard is a repressed married woman that has a heart condition and the reaction to her husbandââ¬â¢s presumed death is a sign that she is unhappy. After hearing the tragic news she goes up stairs and looks out an open window and notices ââ¬Å"new spring lifeâ⬠, the delicious breath of rainâ⬠, and ââ¬Å" countless sparrows tittering in the eaves.â⬠As she looks out the window among th...
Thursday, October 24, 2019
Maori Culture Essay
Abstract The Maori, which means ââ¬Å"ordinary or common,â⬠arrived in New Zealand in the 14th century. Polynesian by descent, they came from the mythical land of Hawaiki, believed by many experts to be a combination of places, including Tahiti, Samoa, Hawaii and the Cook Islands. Upon arriving in New Zealand, the Maori dubbed the picturesque land Aotearoa, or ââ¬Å"land of the long white cloud.â⬠The Maori Culture The Maori like many other Pacific Islanders started their journey in a canoe. Living on an island afforded the Maori with a unique and diverse culture that is still evident in Modern day New Zealand. In the next few pages I will give you a brief glimpse of the Maori way of life then and now. I will discuss the belief and value system, gender roles, healing the sick and also the impact of Colonialism on the Maori way of life. There are three basic beliefs and values of the Maori. I nga wa o Mua, Whakapapa and Mana. I nga wa o Mu. Maori believe that ancestors and supernatural beings are ever-present and able to help the tribe in times of need. The Maori world view is to look in front of us to the past for guidance as that is where we came from. It was because of this philosophy that the Maori did not conveniently forget about the Treaty of Waitangi once it was signed. Through facing the past they can learn from past mistakes and not repeat them. This concept is totally reversed in other cultures, who try to encourage them to forget about the past and to put things behind them Whakapapa Whakapapa translated means genealogy. The Maori believe that everything and everyone are connected and therefore a part of their Whakapapa. Whakapapa includes genealogies of spiritual and mythological significance, as well as information about the personââ¬â¢s tribe and the land he or she lives on. The Whakapapa is passed down orally in the form of stories. One of the most famous stories is story of the creation of Aotearoa. Aotearoa was pulled from the sea by the demi god Maui. Maui was the last of five brothers and was known to be clever. He hid in the canoe of his brothers and when they would not give him bait to fish he took his magical hook and slashed his face and smeared the blood on his hook so that his blood would attract the fish. Smelling the blood the god of the sea gave Maui his biggest fish. Maui asked his brothers to not cut up and eat the fish until proper arrangements had been made to appease and thank the gods for their gift. While Maui was on land trying to pull the boat to shore his brothers started to cut the fish because it started to move. That is why Aotearoa the fish and the mountains and the valleys are where Mauiââ¬â¢s brothers tried to cut the fish. Mana According to the Merriam-Webster dictionary, Mana is ââ¬Å"Among Polynesian and Melanesian peoples, a supernatural force or power that may be ascribed to persons, spirits, or inanimate objects. Mana may be good or evil, beneficial or dangerous, but it is not impersonal; it is never spoken of except in connection with powerful beings or things. The term was first used in the 19th century in the West in connection with religion, but mana is now regarded as a symbolic way of expressing the special qualities attributed to persons of status in a hierarchical society, of providing sanction for their actions, and of explaining their failuresâ⬠. The Maori believe in three forms of Mana. The first type of Mana is the Mana that you have when you are born. This Mana comes from your Whakapapa and can attribute to the rank and status of your descendants. This Mana is not only the ancestor themselves but also the deeds that they did and the skills, traits and abilities taught to them by their tupuna (elders). The second type of Mana is Mana given to you by other people. Today there are people who seek Mana and deliberately go around trying to gain Mana by telling people about their own importance. There is a Maori saying: ââ¬Å" The Kumara does not talk about itsââ¬â¢ own sweetness.â⬠But Mana seekers do exactly that. Humbleness is a very highly valued trait in the Maori world. Many of the great leaders are very humble people, hence part of their greatness. The Maori people sing their praises, thereby heightening their Mana. You will never hear the great leaders singing their own praises. It is not that they are trying to be humble; it is that they just are. The third type of Mana is Mana from the group. The best example I could come up with is the Mana of the marae. The marae is the sacred courtyard that you must be formally invited to enter for the first time. The marae is where challenges are met and issues are debated. When you stay on a Marae all are treated well and fed great food. When the visitor leaves they tell everyone about the great time they had thus increasing the Mana of the marae. If they tell everyone they were treated ill and unkind then the Mana of the marae decreases. Traditional Maori folklore focuses on oppositions between pairs, such as earth and sky, life and death, and male and female. From the time of creation the original couple, Rangi (sky) and Papa (earth) were locked in sexual union until the god Tane was able to push them apart and provide for the creation of human life. So as you can see opposition existed before the creation of human life according to Maori traditional stories. It then would suffice that opposition would exist throughout Maori culture. Premarital sexual relationships were considered normal for Maori adolescents. Both males and females were expected to have a series of private relationships before they married. When Maori females became sexually active, they were to publicly acknowledge this so that they could become tattooed. Tattooing marked their ritual and public passage into adulthood. It was also considered extremely attractive and erotic. Tattooing among the Maori was highly developed and extremely symbolic. Maori facial tattoos were created by two methods. One was by piercing and pigmenting the skin with a tattooing comb. The other was by creating permanent grooves in the face with a chisel-like instrument. . Females were also tattooed in Maori society. Female facial tattooing was known as ta ngutu. Designs were placed on the chin and lips. When it comes to sickness and healing in Maori culture things were very different before Colonization. In traditional times before the colonization of New Zealand, Maori saw science and religion as the same entity and believed that illnesses were caused by supernatural sources. Maori had a good concept of anatomy, physiology and the use of plants for healing; however there was an undefined distinction between the mind and body. Maori believed an evil spirit or a type of witchcraft would attack an individual to cause ill-health as a punishment for breaking the tapu (sacred restriction) of the family that the spirit belonged to. This type of illness was called mate atua (disease of the gods) since there was no obvious physical cause. The individual would experience pain, weakness, loss of appetite, malaise, fever and occasionally delirium due to possession of the spirit. When Captain James Cook colonized New Zealand in 1830 he brought with him, evasive plants and animals as well as guns, alcohol and diseases that the Maori were previously exposed to. New Zealandââ¬â¢s isolation meant that the Maori people lacked immunity to bacterial and viral infections that were common in other countries. The Maori found that their healing methods were ineffective against the new diseases and had to rely on the medicines of the missionaries. The effectiveness and popularity of the missionariesââ¬â¢ medicines assisted in the conversion of Maori to Christianity. It appeared to the Maori that the Christian god had superior powers and this attributed to the health and prosperity of the Europeans. The fundamentals of Maori society, culture, religion and medicine became strained as religion was involved in their everyday lives and many of their beliefs were based upon it. The people began to lose their Mana due to the shift of religion and the spread of Western knowledge undermining the tohungaââ¬â¢s ( spiritual leader) authority The downfall of the whare wananga (school of learning) was also due to conflict between Maori religion and Christianity. In 1907 the Tohunga Supression Act was passed due to concern being raised over the practice and safety of some tohunga. Maori healing was seen as ââ¬Ëdangerousââ¬â¢ by Western modern medicine as it was not scientifically proven. The Tohunga Suppression Act was repealed in 1962 however this had little significance as some tohunga had practiced throughout the 20th century especially in remote rural areas of the country. Tohunga are still significant in current Rongoa Maori however modern tohunga have not been trained in traditional methods giving them a position of authority and prestige however they are still recognized as experts in their field. Many modern tohunga showed potential in their childhood by spending time with their elders and learning tribal and cultural lore. They then became an apprentice under an established tohunga to learn their expertise Current Maori healthcare is based on a holistic model that incorporates the physical, emotional, family and spiritual aspects of health. Each aspect must be treated or used to ensure full recovery of a patient. The current function of modern tohunga is varied. Conventional medicine is incorporated into the tohungaââ¬â¢s practice however traditional methods of karakia (chants) and inoi (prayer) are still extensively used. Native plants for medicinal purposes are widely used however application of uses varies between each practitioner. References 1. Franklin- Barbajosa, Cassandra. ââ¬Å"Tattoo: Pigments of Imagination.â⬠National Geographic News. March 7, 2008. http://ngm.nationalgeographic.com/ngm/0412/online_extra.html 2. Maori.org.nz. http://www.maori.org.nz/ 3. ââ¬Å"Moriori.â⬠Encyclopedia Britannica Online. http://www.britannica.com/eb/article-9053755/Morior 4. The Legend of Maui. http://www.sacredtexts.com/pac/maui/maui04.htm 5. The Definition of Mana. http://www.merriam-webster.com/dictionary/mana 6. Maori Colonization. http://www.heritagehistory.com/www/heritage.php?Dir=eras&FileName=britain_11.php
Wednesday, October 23, 2019
Fresh Food Compared to Canned Food Essay
Eating is something that we do on a daily basis, which makes the food that we choose to consume an important part of our health and life style. Eating food that is unhealthy for us, as well as consuming to much food can lead to numerous health risks. When we eat, we typically take the easy way out and consume foods that are unhealthy. So, when we are out at the store deciding what food we should purchase think of the benefits you would get from something fresh or something canned. We should all take a minute and consider the flavor, health benefits, and the cost of what we are about to digest. Fresh food is something that seems to have a significant advantage when it comes to flavor. If we are going to choose fresh foods over canned we will be enjoying the foods natural flavor and taste rather than chemically processed foods. Fresh foods contain vitamins as well as antioxidants that are all natural, which gives it the natural flavor. Canned foods do not have as much flavor, most of the time chemicals are added which takes away from the taste and flavor that the food has naturally. Canned foods are more likely to have artificial flavor. Health is another factor to look at when considering what type of food to we should consume. When we choose to eat canned or processed foods we are not receiving all of the healthy and natural nutrients that fresh food gives. Processed foods tend to contain large amounts of sodium, which can contribute to health risks such as high blood pressure. While fresh foods often provide us with fiber, vitamins, and minerals, which is what we need to help us function on a daily basis. (See Reference) Money can be a factor when purchasing food which is why cost is the final difference between canned and fresh foods that we should consider. When buying fresh foods especially, if the food is in season, we will see a significant price difference. The price difference between the two is caused by all the processing that a canned food has to go through to be able to last longer on the shelf. Yes, having the ability to go to the store and buy a ââ¬Å"TV dinnerâ⬠for dinner would be easier than preparing it yourself; however, the cost will probably be higher. Basically, it is our choice in what we want to consume food wise but flavor, health benefits, and cost should be taken into consideration. Fresh food has better taste and is not artificially flavored, if in season may cost less, and can also be healthier for you than canned foods. Anything though is better than choosing the easy way out. Take time and consider everything. References Retrieved from: http://www. livestrong. com/article/260270-nutrition-differences-canned-foods-vs-fresh-produce/.
Tuesday, October 22, 2019
Cuba essays
Cuba essays The Cuban revolutionaries, led by Fidel Castro, took over the Cuban government on December 2, 1959 and put a strict communist regime into effect. In the midst of the cold war, this Soviet ally so close to American soil is a major cause of fear. The revolution was the outcome of the oppressive rule by Batista y Zaldà var, Fulgencio. Batista was a dictator, much like Castro later turned out to be, who took away the "human rights" of his citizens, and effected some other social reforms. Castro overturned the dictatorship of Batista on December 2, 1959 and at first seemed to be a moderate leftist. However, once in power he became increasingly radical, executing and imprisoning thousands of political opponents, nationalizing industry, collectivizing agriculture, and establishing a one-party socialist state that drove large numbers of middle- and upper-class Cubans into exile. He was especially hostile to the United States, which had been friendly to Batista and had frequently int ervened in Cuban affairs. After the Castro government seized U.S.-owned oil refineries, sugar mills, and electric utilities in 1960, the United States stopped buying Cuban sugar and imposed an economic embargo on the island nation. The United States backed an unsuccessful attempt by Cuban exiles to overthrow Castro in 1961. In the early 1960s Castro openly embraced Communism and formed close ties with the Union of Soviet Socialist Republics (USSR), relying increasingly on Soviet economic and military aid. However, when the Soviets began to allow some free enterprise, Castro disagreed and broke away from the Soviet Union. This led to a severe decline in the Cuban economy, and loss of support of as many Cuban citizens for the communist system. Fidel Castro remains in control today, not letting people in or out of Cuba. ...
Monday, October 21, 2019
William Shakespeare Essays (1384 words) - Incidental Music, Prospero
William Shakespeare Essays (1384 words) - Incidental Music, Prospero William Shakespeare One may find it ridiculous to contrast between Shakespeare and existentialism in its 20th century form, however one must keep in mind, that existentialism does not appear as a single philosophical system. It is more an attitude of life, a general vision - existentialist Jean-Paul Sartre is known to have stated that existentialism was never invented, it has always existed as the ultimate foundation. Upon that light, why not seek the foundations from the work of the forefather of all dramatists? It is above all na?ve to claim Prospero?s Epilogue in Shakespeare?s play The Tempest a mere conventional appeal for applause or the stripping of the imaginary glamour built up by the plays magic. Even the greatest of artists would rather give away his life than surrender his art to be judged solely by the public. Art for an artistic genius is practised for its own sake; art for the purpose of art. Existence for the sake of existence itself - stripped of meaning, of value and of subjective interpretation. In its bear meaningless form, something still remains: the necessary Natural Law, a philosophical concept considered the basis of human well-being, a system of the values that determine human existence. Throughout The Tempest Prospero?s character portrays an image of a nearly Nietzchean superhuman capable of disclaiming authority, killing God. He is in control of every situation and event as if the chain of causes and effects would be a conductible melody waiting for an artist?s touch. On the other hand he is very human: a wronged duke and a father, a symbiosis which Shakespeare displayed with the use of Prospero?s garment as a theatrical tool. An artist is the creator, the maker of realities yet he remains human, an animal with feelings and urges, ties only waiting to be cut. The view implied is not far from the ideologies that emerged from the great suffering of the second world war: a man is capable of constructing himself a framework of personal and social meaning, but his true animal nature remains unchanged. In the heart of existence, life has no predefined meaning, it is a mere passage of survival from necessary birth to necessary death. Prospero's and his daughter's situation on the island was hopeless, however Prospero had chosen a function for his life - revenge. Prospero created a meaning for his life, built a synthetic reality to keep him sane on the path towards the finality of human death. Early existentialism begins to appear. The literatory image behind The Epilogue of The Tempest greatly involves the attitude and interpretation of art. Having constructed a window or more or less a door to an imaginary world for the audience, Shakespeare has succeeded in fusing art and reality. Upon that light it is incomprehensible to assume his need to address the subjective yet neutral third party, the audience - shatter the synthetic reality. However, The Epilogue is a beautiful and humble ending to a story filled with strong magical elements - the control is given to the audience, they are given Prospero?s magical garment. The passive third party is given a choice of interaction, chance to rise beyond spectatorship. An interesting aspect to The Epilogue of The Tempest is the fact that it was Shakespeare?s last play - the final words of a great artist. Due to the lack of historically trustworthy biographical information of Shakespeare?s character, it is difficult if not impossible to determine the effect of his life situation to the message itself. Whether justified or not, The Epilogue seems like a farewell - a humble artist handing over his life to the audience to which he has dedicated his entire life. When examining The Epilogue with the restriction of intertextuality, one is forced to focus on the character of Prospero. Why does he leave a farewell, why does he become the ultimate link from the world of the play to the world of the third party, the audience. His importance as the narrator of The Epilogue creates a third dimension to his character traits, he becomes the God-figure that seems limited to living on a island yet he can perform metaphysical leaps between dimensions. The person speaking is the author himself, for in
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